Resources

10.11.2009

Media & Technology

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Reports and news items on the changing media frontiers. Get your iPhone, Apps and technology news wherever it is reported. Arguably the most significant subject which content owners face. Just getting an understanding of vague terms such as "new media" or "digital media" or "multi media" or "multiple media" is both complex and probably even unnecessary. ACSIL's effort to bring coherence to the stock footage industry's understanding of the subject is as significant as any subject the Code of Practice Committee tackled.

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10.27.2009

Lost and Found: A practical Look at Orphan Works Program

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New York State Bar Blog on Orphan Works

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05.20.2010

Grid Committee Documentation - May 26th 2010

Key Documentation for the new Grid Committee

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10.21.2009

Voices & Opinions

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Voices & Opinions - insiders and media voices

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08.02.2010

Millennium Digital Copyright Act - Exemption granted for DVDs

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The 2010 decision by U.S. Copyright Office granted an exemption to the Digital Millennium Copyright Act (DMCA) that many American documentary filmmakers have waited years to see. Whereas in the past it was illegal to break encryption on protected, commercially available DVDs for any purpose, with the new ruling from the Librarian of Congress made on recommendations from the Copyright Office, it is now legal for doc-makers, college and university professors, students of film and media studies and non-commercial video makers to circumvent the encryption in order to incorporate "short portions of motion pictures into new works for the purpose of criticism or comment." Extract from: Real Screen Summit Announcement - July 28th

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01.12.2012

Fair Use and the Artifact Test - Neil J Rosini

Fair Use and the Artifact Test - Tips for Using Entertainment Clips in Docs

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10.05.2009

Rights & Clearances

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A Practical Guide to Licensing and Clearances for producers, researchers and anyone who wants to understand the processes involved in using stock footage. What is the difference between Royalty Free and Managed Rights? Why does some footage cost more than "average"? When should I think about my stock footage needs? What's the difference between stock footage and content footage? Why is music clearance so difficult? DECISIONS, DECISIONS...

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10.25.2009

Understanding Stock Footage (why me?)

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An Introduction to Stock Footage for Researchers

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10.11.2009

Understanding Copyright

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Report on Orphan Works A Report of the Register of Copyrights ยท January 2006

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10.25.2009

What is Stock Footage?

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Understanding Stock Footage for Researchers

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11.17.2009

ACSIL Formation Press Release(1)

ACSIL Formation Press Release(1)

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01.12.2012

ACSIL and Fair Use - A Position Paper - January 2012

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The Fair Use Committee, chaired by Cathy Carapella with input from many ACSIL Members published its first position paper in November 2011.

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10.26.2009

To enhance remedies for violations of intellectual property laws - SS35

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To enhance remedies for violations of intellectual property laws, and for other purposes

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11.17.2009

ACSIL Formation Press Release(2)

ACSIL Formation Press Release(2)

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01.12.2012

ACSIL and Fair Use - A Position Paper - January 2012

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The ACSIL Fair Use Committee is chaired by Cathy Carapella (Global ImageWorks), with input from Joe Basile (Thirteen) and other ACSIL members

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09.09.2009

The Grid Presentation - WGBH

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Presentation to WGBH of The Grid on March 26th, 2008

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10.23.2009

Understanding Rights & Clearances

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Untold Stories: Creative Consequences of the Rights Clearance Culture for Documentary Filmmakers Center for Social Media -2004

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11.17.2009

ACSIL Global Survey Review

ACSIL Global Survey Review (FOCAL)

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10.25.2009

Private Rights and Public Broadcasting: Panel 4 March 27, 2008

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Private Rights and Public Broadcasting: Panel 4 March 27, 2008

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11.17.2009

ACSIL Global Survey Review

ACSIL Global Survey Review - Millimetre

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08.02.2010

ACSIL Member Meeting Files August 2010

ACSIL Meeting Files August 2010

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